Episode 80 - Marie Laurencin

Marie Laurencin is known for her lovely pastel dreamy paintings but she was also able to do something few female artists were able to do. Marie was accepted into the folds of the biggest artists of the time and held her own. 

Born on October 31, 1883 she showed very early, against her mothers wishes, a talent for art. At 18 she enrolled in the porcelain painting school at Sévres, much like Renoir started. The next year she joined the Humbert Academy and met fellow artists Georges Braque and Francis Picabia who led her into the art circles of Paris.  

Writer, art broker and collector Henri-Pierre Roché met Marie through Braque and was attracted to her art and to her. Roché was a big promoter of female artists including Suzane Valadon and Berthe Morisot. Roché and gallery owner Berthe Weill worked together sharing their art when most ignored them.

Gallery owner Clovis Sagot on Rue Laffitte gave Marie her first solo exhibition where she would meet Picasso, Delauney, Rousseau, Max Jacobs. and poet Guillaume Apollinaire. Marie inspired the struggling writer and served as his muse over their six year relationship. Her first painting she ever sold featured Picasso surrounded by Apollinaire, Marie and  Fernande and was purchased by Gertrude Stein. 

After Apollinaire was arrested and thought to be involved in the theft of the Mona Lisa, Marie moved on. Things were already rocky between the two at the time but that put an end to it. In one last gesture, Marie painted a 2nd copy of her Apollinaire et Ses Amis. Surrounded by his friends including Marie, Fernande Olivier, Stein, Gillot and Cremnitz. It hung over his bed until his death and today is in the Pompidou. 

Spending a brief period in the Cubist and Fauvist movement she later named her style “nymphism”. Staying close to what she liked she used her favorite colors, pink, grey, blue and white and predominantly painted women and girls. As a child she would keep beads and ribbons in her pocket, always gravitating to pretty things. 

In 1914 Marie married German Baron Otto von Watjen. Marrying a German at the start of WWI may not have been the ideal situation and the couple were forced to remain in Spain after their honeymoon. As a young girl she spent her days in the Musée du Louvre, copying and learning how to paint from masters including Elisabeth Vigee le Brun. In Spain she would once again hide in the Prado, copying Goya and Greco. 

Their marriage didn’t last long and she returned to Paris and into her most productive time. Gallery owner Paul Rosenberg took her on and displayed her on the walls next to Picasso and Bracque and even set up exhibitions of her work in New York. 

In the 20’s & 30’s she was commissioned to paint portraits of the Paris elite which she didn’t like. Instead of painting them how they wanted to be seen, she painted them as she saw them. Chanel asked her to paint her and when it was complete she refused to pay her for it. As one that controlled her story and her image that was always seen through a filter she didn’t like the stern look on her face. The painting would end up in the collection of Paul Guillaume and now hangs in the Musée de l’Orangerie today.

Her later years she retired to her house in Meudon with the daughter of her housekeeper that had been with her since the 1920’s. Without an heir or any relatives she adopted her housekeeper's 49 year old daughter, Suzanne Moreau, leaving her everything.  On June 8 1956 at 72 years old she died in her apartment off the Champs Mars of a heart attack. 

She was buried at Père-Lachaise just steps from Apollinaire. She was wearing a white dress and holding a red rose with a love letter from Apollinaire resting on her heart. After Suzanne’s death much of Marie’s collection went up for auction. Wealthy Japanese taxi magnet Mashiro Takano bought up a vast majority and in 1983 opened the first museum in the world dedicated to a female artist. Sadly it closed in 2011. 

Marie’s life story is greatly overshadowed by her many relationships but her art should never be forgotten. The airy dream like pastel paintings of dancing ladies always bring a smile to your face when they are discovered. 

Listen to her whole story in this week's newest episode of Paris History Avec a Hemingway on La Vie Creative podcast. #paris #podcast #art

Episode 79 - the Musée Rodin

Paris is filled with museums and a few stand out over the rest. Of course there is my love, the Musée du Louvre and the Orsay and smaller ones like the Picasso and the Delacroix. However one that might not be on the list for those heading to Paris for just a few days but should be is the Musée Rodin. 

On today’s new episode of Paris History Avec a Hemingway on La Vie Creative Podcast we jump into the history of the museum and the life it had before Rodin discovered it.

The Musée Rodin is housed in the Hotel Biron but that's not where the story begins. Wealthy wig maker Abraham Peyrene de Moras was also a close confidant of Louise Francoise de Bourbon, the legitimized daughter of Louis XIV and past podcast subject, Madame de Montespan.  Moras tapped architect Jean-Jacques Aubert who also designed the nearby Palais Bourbon for Louise Francoise. Between 1727 & 1732 on the Rue de Varenne outside the city of Paris the Louis XIV style mansion was built. 

Moras only enjoyed it for a few years before he died in 1736 and his widow rented it to  Louise-Benedicte de Bourbon-Condé, wife of another legitimate child of XIV. It was Louise that would add the beautiful carved wood moldings and paintings above the doors that still remain today. 

 In 1753 the Marshall de Biron purchased it and it was under Biron that the gardens came to life. The mansion would survive the Revolution, the Russian embassy moved in for a year then the Sisters of the Sacred Heart for 84 years before they were asked to leave and then in 1905 the artists arrived. 

Jean Cocteau was the first to move in and he told Isadore Duncan and Matisse who taught classes here. On  October 15, 1908 its most famous resident arrived. Cocteau had told the 68 year old sculptor about the wonderful building flooded with light. Rodin moved into the ground level 4 rooms that face the garden.  The next year the city was going to break the property into 45 lots and sell them off but Rodin asked Clemenceau to step in and stop it. 

Rodin offered his entire collection to the State if they saved the property and agreed to turn it into the Musée Rodin after his death.  On November 17. 1917 at 77 the sculptor died and on August 4, 1919 the museum was open to the public. 

More than 32,000 pieces of sculptures, documents, photos, art including his personal collection make up the museum today. Of course only a fraction is on display at any one time. It is one of the best ways to spend a day in Paris. If you visit on a sunny day and the light floods into the garden-facing rooms it's clear to see why the artist loved the space so much.

Another gem of the museum is the garden that surrounds it. At one time it was twice the size of what we see today. During the Revolution it was the site of an amusement park and Parisians could take hot air balloon rides from the garden. In 1908 Rodin installed the first sculptures and today it is filled with dozens. 

In 1918 Claude Monet gave his gift of his 8 paintings, the Grande Decorations to the State and for a short time the gardens of the Rodin were discussed but the modern structure wouldn’t blend with the classic mansion. Today you can visit the gardens for a few euros and even enjoy lunch or cafe and admire Rodin’s sculptures and sketches within the beautifully curated garden. 

The Musée Rodin is open Tuesday-Sunday 10am-6:30pm

Listen to the newest episode today at La Vie Creative Podcast

Episode 78 - Jeanne de la Motte

In this week’s episode we look a little further into the woman that would take down Marie Antoinette.  

Jeanne de Valois Saint Rémy Comtesse de la Motte started out life being told she was descended from royalty. Her father Jacques de Valois was the illegitimate grandson to king Henri II and his mistress Nicole de Savigny. Henri was involved with her when he and Diane de Poitiers took a break. Never recognized they constantly lived far beneath where they believed they should be and by the time Jeanne came around, she wanted to do something about it. 

It was 1785 and tensions were high in France and the Austrian queen was the subject for pointed criticism and hatred in France. Her appearance of lavish spending would be used by Jeanne de la Motte to her advantage.

In 1772 King Louis XV wanted to have a necklace made for his mistress Madame du Barry and asked jewelers Boehmer & Bassange to create a lavish gift. Taking years to gather the more than 600 diamonds needed, Louis XV would die before it was finished. Left with a very expensive necklace on their hands without being paid they reached out to Louis XVI thinking he would want to buy it for his queen. With a very high price tag, the queen refused telling her husband “we have more need of 24 ships”. However, it could also be that she never liked Du Barry and didn’t want to have anything intended for her. 

Jeanne was the mistress of Cardinal Rohan who had a falling out with the Queen and her mother and was desperate to get back into her good graces. Jeanne told him she was friends with the Queen and that if he wrote her a letter she would get it to her. Jeanne had another agenda. She answered the letters herself, posing as the Queen and when he begged to have a private meeting with the Queen she hired a prostitute at the Palais Royal to impersonate the Queen and met him in the Grove of Venus at Versailles. 

Once word had spread throughout Paris, the jewelers reached out to Jeanne in hopes to appeal to Marie Antoinette and to buy the necklace. Jeanne told Rohan that the Queen wanted the necklace but needed someone to get it for her. Jeanne forged a letter and a purchase order for the necklace and he took it to Boehmer. Handing over the necklace to Rohan, he then took it to meet Jeanne and what he thought was one of the Queen’s valets. It was Jeanne’s husband who promptly took the necklace, broke it apart and sent the jewels around Europe to be sold. 

Months went by and when Boehmer still hadn’t been paid he went to the court with the order signed by the Queen. She had never seen it before. Rohan was arrested in the Hall of Mirrors, would go on trial and be found innocent. 

For the Queen who was innocent in the plot, it was too late. It only fed into the rumors of her excess. People even thought she orchestrated the entire thing to get back at Rohan. The Affair of the Diamond Necklace led to her final fall that was to come in just a few years. 

Jeanne de la Motte, would also be arrested and at trial she was convicted and her sentence included life in jail and her shoulders were branded with the letter V for voleuse, French for thief. A year later she broke out of prison dressed as a boy and fled to London. On August 23, 1791 in an attempt to evade creditors she fell out of a window and died. The report stated that she was “terribly mangled, her left eye cut out and her arm and both legs were broken. 

Today that necklace would be worth over $15 million dollars and hold 2800 carats and 685 diamonds. When I saw a replica at the exhibit at the Conciergerie I gasped, but then again I love a statement piece. 

Listen to the newest episode today, out now on La Vie Creative, Paris History Avec a Hemingway

Episode 77 - Marie Guillemine de Benoist

On this week’s newest episode of Paris History Avec a Hemingway on La Vie Creative podcast we visit the unknown life of artist Marie Guillemine de Laville-Leroux Benoist. Born December 18, 1768 in Paris into a political family which would help her enter into one of the most prestigious ateliers in Paris. 

At just 13 years old she began training with Elisabeth Vigee Le Brun who was the First Painter to the Queen, Marie Antoinette. Her talent was noticed early on and in 1784 she exhibited for the first time at the Salon a painting of her father. The 18th century and a few after that wasn’t that kind to female painters but under the lead of Vigee Le Brun she was able to traverse the art world and get noticed by a few of the biggest names.

When Vigee Le Brun decided to move her studio, Marie was asked by Jacques Louis David to join his atelier. The king of the Neoclassical movement was happy to take women in as a way to get back at king Louis XVI who forbade women artists to train in the Louvre. At the time David lived and had his studio in the SE corner of the Sully wing. Most women were relegated to only painting flowers, landscapes and gentle girly themes, but David actually suggested she try her hand at historic themes. 

In 1800 she created a painting that would change the landscape of art at the time. After a visit to her brother-in-law's home she met the beautiful Madeleine and decided to paint a subject that was rarely seen in art at the time. Madeleine was a beautiful black woman that came from Guadalupe and was hired as their servant when Marie met her. Using the classic pose that she learned under David she placed Madeleine on a winged chair and draped her in white fabric in the Empire style and suddenly transformed how black skin was depicted in art. Up until then, the only time you would find black models in paintings is as the servant tending to a white man or woman.. Slavery was abolished February 4, 1794 and her painting is a bit of an allegory as much as it was Marie making a statement.

The model was unknown until a  few years ago before an exhibit at the Orsay unveiled her name and made the painting come to life. On June 27, 1818 the painting was purchased by the Director of the Maison du Roi along with three of her other paintings. Under Louis XVIII the painting was sent to the Louvre where you can still find her today. On the second floor of the Sully wing in salle 935 alongside other paintings from David and his students. I wish she was somewhere where more people could discover her but until that day, be sure to search for her when you visit the Louvre or ask me to take you. 

The painting got the attention of everyone including Napoleon who commissioned her for a portrait of the Emperor and members of his family. Sadly in 1814 she hung up her paintbrushes as her notoriety became too much for her political husband. She sold off most of her paintings and unfortunately very few remain. Of the four purchased in 1818, only one remains in the Louvre. 

Marie died on October 8, 1826 at 57 years old and while few may not know her name, Madeleine hangs on the walls of the most wonderful place in the world to remind us. 

Listen to the newest episode today

Episode 76 - The Cemeteries of Paris

On a beautiful fall day, a walk through one of the three big cemetaries it is one of the best strolls in Paris. Baudelaire, Dreyfus, Man Ray and the man of Statue of Liberty fame, Frédéric Bartholdi are all buried here. But, one tomb stands out over the many, that of Charles Pigeon. The French inventor who started out working at the Bon Marché before he opened his own shop on rue du Cherche-Midi selling lamps. During the late 19th century, lamps would easily catch on fire and he set out to fix that. Inventing the gas lamp, that wouldn’t explode in 1884 brought him fame and fortune. In 1909 his wife would die, and six years later in 1915, Charles himself would pass. Having purchased the plot in 1905, they were interred together following his death. Before he died he commissioned French sculptor Caveau to create a bronze monument to grace the top. His wife on her deathbed is clutching a flower, while Charles props himself up on the bed with pen and paper in hand. Is he coming up with a new invention, writing her last words or pledging his love to her one last time, we will never know. Above their head is an angel watching over them holding up one of the famous Pigeon lamps. Their eternal love is rather sweet, captured in bronze and tells us a story of a man we would most likely never know or even look into if it wasn’t for the monument he left behind. Located in the Petit cemetery, in division 22.

Charles Baudelaire, the French author had an opinion on everything and everyone back in his day. Quite the dandy around town, he was known in just about every group of Paris. In 1857 he wrote Les Fleurs de Mal, a collection of short essays many with racy themes, so of course it became one of his best known pieces. Baudelaire also lived in just about every neighborhood in Paris, relying at times on the help of friends. He died on August 31. 1867 at 46 years old. He was laid to rest in the tomb of his parents, but one grave wasn’t good enough. Later his fans didn’t think his grave was fit for the great writer and had another monument created. The L shaped grave is topped with a bust of a thinking man as he looks out and over the mummified body below. The family grave is in division 5 and the cenotaph is on the back wall of division 26 and 27, both in the Grand cemetery. (the Petit also has divisions 26 & 27 to make it more confusing)

Other graves not to miss include Jean Paul Sartre & Simone de Beauvoir, together for eternity. Jules Dumont d’Urville, the man that discovered the Venus de Milo. One of my favorite artists, Henri Fantin-Latour who deserves a beautiful bronze bouquet of flowers and Charles Garnier, the architect behind the Palais Garnier.

Montmartre 

After the Cimetière des Innocents was closed in 1780 and the remains mostly used to fill the Catacombs, the Parisians were looking for a new place to bury their loved ones. The next few weeks in honor of spooky Halloween, I will share with you some of my favorites from the big three cemeteries of Paris. A few of the famous residents and a few you may not even know.

On January 1, 1825 the Cimetière des Grandes Carrières also known as the Cimetière du Nord officially opened. During the Revolution the old gypsum quarry was a mass grave at the base of Montmartre. Spreading out over 28 acres the Cimetière Montmartre is as much a part of the neighborhood as the historic Moulin Rouge.

One of the biggest names in the cemetery is of course Dalida. The Italian-Egyptian singer moved to Paris and became an international star. Sadly her life was filled with tragedy including her very own ending. On May 2, 1987 she overdosed on barbiturates, washing it down with whiskey leaving behind a note saying, “life is unbearable to me, excuse me”. She was just 54 years old. Her tomb is hard to miss and fitting for the Egyptian beauty. Created by Alain Aslan who also did the bust of her in Montmartre at Place Dalida. The full size statue stands in front of a marble wall with a golden sun behind her head. For more Dalida check out our podcast episode about her. You can’t miss her in division 18.

Edgar Degas, the great Impressionist painter, but didn’t like to be called one lays near the eastern wall in division 4. The first thing you notice is the name. The family plot is marked with his birth name, De Gas. The artists known for his paintings of the ballet dancers, lived most of his life in Montmartre taking artists under his wings including Suzanne Valadon and Mary Cassatt.

You will also come across a large tomb dedicated to Émile Zola in division 19. Topped with a bust of the writer with some pretty fantastic hair, he looks over his family that lay at rest in the red marble tomb. Zola himself was moved to the Pantheon in 1908. A friend and supporter of Manet, but best known for his involvement in the Dreyfus affair causing him to flee France for a time. Zola died on September 29, 1902 from carbon monoxide poisoning. Thought to be an accident, later a roofer confessed in the final moments of his life that he shoved linens into his chimney for his political views.

Pere Lachaise isn't any cemetery, it is the final resting place of some of the most notable people in French history. Père-Lachaise gets its name from the confessor of Louis XIV Père François de La Chaise, who lived in a house near the chapel built in this spot in 1682 until his death in 1709.  On May 21, 1804 the land was reopened as a cemetery at the time far outside of Paris and called Cimitiere de l'Est.  Rather unpopular due to the distance, few wanted to hold funerals or burials there. 

The very first burial on June 4 was of 5 year old girl Adelaide Paillard de Villeneuve.  In 1805 somebody had an idea to move some famous names to Père-Lachaise. Two of the first of these famous people to find their way there were two of France's masters of words. The playwright Molière and fabulist Jean de La Fontaine. Two large gravesites were erected side by side, although none of their remains are actually here, which is common amongst the more than one million people interred within the walls of Père-Lachaise. It isn't just famous people, anyone can be buried at Père-Lachaise which was also a first when it opened. With Moliere and Fontaine along, people clamored to spend eternity there. Colette, Pissarro, Ingres, Balzac, Delacroix, Géricault, Oscar Wilde, Edith Piaf and Victor Noir are just a handful of the names you can visit. I always have an ever running list of tombs to search out.

You can almost hear the beautiful notes of one of his Nocturne’s floating in the air as you get close to his tomb. Frédéric Chopin, the Polish virtuoso made Paris his home and staked his claim to the Romantic Movement of the 19th C. Arriving in September 1831 after his plans to move to Italy was thwarted by the Revolution through the country. Having a hard time getting a visa to France from Poland, he reached out to the French and was able to get a visa that stated he was “passing through on his way to London”. He never arrived in London staying in Paris the rest of his life and became a citizen in 1835. His life was filled with friends like Delacroix and Liszt and lover George Sand, but it was his music that still fills the air today. Between 1830 and 1832 he would write three of his most famous pieces, Nocturne Op 9. The twinkley and graceful notes were written when he was just 20 years old. No 2 is one of the most recognized pieces of music in the world and is what I play many times in the background as I sit and write.

Like the many great artists Chopin would die at a very early age. Rarely performing publicly and falling ill over the last few years of his life at 36 he would die of tuberculosis.

Before he died Chopin planned out his funeral down to the last detail. He wanted it to be held in the Eglise de la Madeleine and Mozart's Requiem to be performed and this is where it all came screeching to a halt. At the time women were not allowed to perform in the church and it took almost two weeks for the church to give in and allow Jeanne-Anais Castellan and Pauline Viardot to perform, although they had to hide behind a black curtain.

Delacroix served as a pallbearer for his friend and would remember him in a painting that he had painted of him before he died that is now in the Louvre. Buried in Pere Lachaise in a grand tomb by Jean-Baptiste Clèsinger, son-in-law of his former lover George Sand. A marble Euterpe, the muse of music cries over a broken lyre.  As he was lowered into the ground his very own funeral march, sonata no 2 was played. While his body lies in Père Lachaise in division 11, his wish was to have his heart buried in Poland.

Louis Visconti came from a long line of archaeologists and art lovers and enrolled in the Ecole des Beaux-Arts and began to study under Charles Percier, a man that would also leave his mark on one of my favorite buildings in Paris. During his teaching Percier was also walking over the newly built Pont des Arts to the Louvre where he was working under Napoleon Bonaparte breathing new life into the former palace of the kings. Visconti was taking it all in and when he finished school he began working for the city of Paris as architect of the 3rd and 8th arrondissement and their monuments. While his old teacher worked under Napoleon it was Visconti who was tasked with the job in 1840 to transform the city for the arrival of the former emperor's ashes as they returned to their final resting place.  Visconti was also asked to create the sarcophagus that lies under the dome of Les Invalides holding Napoleon. One of my favorites, the Fountain of the Four Bishops in front of Saint-Sulpice with their angry lions guarding the parve was also from the mind of Visconti. 

In 1851 Napoleon III asked Visconti to complete the design of the Palais du Tuileries and join the building to the Louvre. Immortalized in the painting by Jean Baptiste Tissier, Visconti is presenting his design to the Emperor and his wife Eugénie where you can see his plan of joining the two palaces creating a royal residence and offices for the second empire. It was the perfect job of Visconti in a place he loved. As a child his father was named the curator of antiquities and paintings of the Musée Napoleon, later known as the Louvre. Visconti would grow up inside the Louvre and it would be the final project he never finished. Dying in 1853 of a heart attack he would never see his vision of the Louvre come to life.

His tomb with a marble reclined image of Visconti over a bas relief of the “New Louvre” was designed by Victor Leharivel who also worked alongside Visconti on the Louvre and can be found in division 4

Listen to the full episode today with even more history of the inhabitants of these historic cemeteries.

Episode 75 - Finding the Historic Ladies of the Past in Paris today

It’s already 75 episodes of Paris History Avec a Hemingway and we can hardly believe it. In this week's episode we reflect on a few of them and how you can still find them today in Paris. 

We have covered many of the wonderful female artists over time, a few that you may have known and a few that have been forgotten to time. Berthe Morisot, Camille Claudel and Mary Cassatt are easy to find in the Musée d’Orsay on the walls along with Rose Bonheur and her amazing large scale paintings of animals. However don’t miss Manet’s capturing of Victorine Meurent and Renoir’s Suzanne Valadon who would each become artists on their own. 

In a small hall within the permanent collection of the Pompidou you can find a collection of her sketches and paintings and after venture up to the Musée de Montmartre to take a peek into her former studio complete with her easels and palettes. 

My beloved Musée du Louvre also has a few ladies to search out after you say a long bonjour to Winged Victory of Samothrace. Elisabeth Vigee Lebrun is known as the painter to Marie Antoinette but she did tons of portraits before she painted the fated queen including the first smile in western art. Other ladies were captured on the canvas including Diane de Poitiers, Madame Recamier, the love of Henri IV Gabrille d’Estrees and Empress Eugenie. 

Other smaller museums hold a few ladies including the Musée Marmottan Monet and a brand new special exhibit devoted to Julie Manet, daughter of Berthe Morisot and niece of Manet who counted the greatest artists of the Impressionist period as her “uncles”. 

There are even more we chat about in the newest episode of Paris History Avec a Hemingway on La Vie Creative podcast. 

Grab a notebook and start jotting down a list for when you return to Paris and check out all the past episodes you may have missed.

Episode 72 - Ladies of the Luxembourg part II

Laure de Noves

Little is known about her other than she was born in 1310 in Avignon to the Knight Audibert of Noves and was married at fifteen to Hugues I de Sade. Poet Francesco Petrarch saw her at Good Friday mass in the Eglise Sainte-Claire d’Avignon and was spellbound. For three years he would find her walks and at church and write endless poems praising her

Statue by Auguste Louis Marie Ottin

Commissioned in 1846, finished in 1846

Marie de Medicis

26 April 1575 - 3 July 1642

Born in Florence to Francois I de Medicis and Joan of Austria who died when she was just two years old. Her father remarried and they would both die when she was ten years old. Uncle Ferdinand I, Duc of Tuscany watched over her and when Henri IV of France came knocking, a marriage was arranged. Ending the debt that France owed the Medicis family and hoping to bring an heir to the throne. Ten years later on May 13, 1610 Marie was finally crowned queen of France at the Basilique Saint Denis, the next day Henri IV would be killed in the streets of Paris. Their son, Louis XIII was only eight years old leaving Marie as regent until he was old enough. However, Marie wasn’t too quick to release the power of the throne and held on until Louis XIII staged a coup and took them back at sixteen. Marie was banished from Paris and stayed in the Chateau de Blois until she escaped out a window. Eventually she made it back to Paris and continued to build her Florentine palace in the Luxembourg until her son yet again intervened. Stopping on the way to Germany she fell into a trap set by Louis XIII who then stripped her of her title and power. She never returned to Paris or saw the completion of her beloved palace. For more Marie make sure to stop in the Musée du Louvre and make your way to the Richelieu wing to see Peter Paul Rubens twenty four paintings of her life. 

Statue by Louis Denis Cailloueté

Commissioned in 1844, finished in 1847

Marguerite d’Angouleme 

11 April 1492 - 21 December 1549 

Older sister to Francois I and daughter of Louis de Savoie was intended to marry Henry VIII of England, but thankfully that didn’t go through. Louis XII decreed that she was to marry Charles IV of Alencon, a marriage that only lasted a few short years. Next up was Henri II of Navarre in 1526 which was followed by the birth of Jeanne d’Albret, future mother of Henri IV. Marguerite spent most of her time at court with her brother, transforming it from the medieval court to the monarchy we know of today. With the heavy influence of the Italian Renaissance, art, culture and music was now a staple in the Palais du Louvre. 

Statue by Joseph Stanislas Lescorne

Commissioned in 1845, finished in 1846

Valentine de Milan

1370 - 4 December 1408

Born in Milan to Glan Visconti of Mila she was married off to Louis I, duc de Orleans. Close relatives as they often were then, they had to have the Pope sign off on the marriage. A celebration was held in Milan and France on April 8, 1837 but she wouldn’t join her husband for two more years. On August 17, 1389 in Melun they were finally united and eight children followed. On November 23, 1407 Louis I was murdered on Rue Saint Antoine by fifteen men wielding axes. Three days later it was discovered his cousin Jean sans Peur, Duc of Burgundy was behind the killing. It would be the start of the civil war between the court of Burgundy and the French royal family that would last 28 years. Valentine died a year later, never getting the justice she wanted for her husband. 

Statue by Victor Huguenin

Commissioned in 1843, finished in 1846

Anne de Beaujeu 

3 April 1461 - 14 November 1522 

Daughter of Louis XI and Charlotte de Savoie would serve as regent to her younger brother Charles VII who her father called “feeble minded”. In 1473 at twelve years old she married Peter II de Bourbon who was thirty-five at the time. As regent she was also the teacher of the royal children that included Diane de Poitiers and Louis de Savoie. A keen sense of diplomacy she helped negotiate the ending of the Guerre Folle and was considered the most powerful woman in Europe. 

Statue by Jacques Edouard Gatteaux

Commissioned in 1844, finished in 1847

Blanche de Castile

4 March 1188 - 27 November 1252

Born in Castille, her father king Alfonso VIII of Castile and Eleanor of England who was the daughter of Eleanor of Aquitaine. Eleanor decided Blanche was the most regal looking and in the 1200 Peace Treaty it was added that Blanche would marry the son of Philippe Auguste, Louis VIII. In 1214 she gave birth to Louis IX and devoted her entire life to him. At just twelve years old when his father died, Blanche served as regent, with an iron fist. Louis and his mother were very close, raising him to be pious, devoted to the church and teaching him to respect his role as king. It would change a bit when Marguerite de Provence joined the family.

Statue by Honoré Jean Aristide Husson 

Commissioned in 1843, finished in 1847

Anne d’Autriche

22 September 1601 - 29 January 1666

The infanta of Spain and eldest daughter of king Philip II of Spain and Marguerite d'Autriche, a branch of the House of Habsburg was raised in a very religious chateau. At eleven years old she was betrothed to Louis XIII and the two were married when she was fourteen. Their wedding night included his mother Marie de Medicis standing over the bed waiting for them to consummate the wedding but it wouldn’t happen for quite some time. Miscarriages and stillbirths followed and drew Anne to the church. In 1634 she commissioned the building of the Val-de-Grace abbey and church dedicated to the Virgin and came with a prayer that she finally give birth to an heir. On September 5, 1638, Louis XIV after a rather stormy night in Paris in December 1637. Although some historians argue the true father is Cardinal Mazarin. Louis XIV treated his mother like a queen giving her anything she wanted up until her death in 1666.

Statue by Joseph Marius Ramus

Commissioned in 1846, finished in 1847

Anne de Bretagne

25 January 1477 - 9 January 1514

Oldest child of Francis II of Brittany was an orphan by eleven years old but holding onto the estates of Brittany. In December 1490 it was decided she would marry Maximillian I of Austria, but when word reached Charles VIII of France he raced to Rennes. Beginning a two month siege until the city fell and a treaty was reached that included ending the uniting of Anne and Maximillian. Anne and Charles were engaged on November 17, 1491 angering Austria and a quick and secret wedding was planned. However, Pope Innocent VIII wouldn’t recognize the nuptials since they were fourth cousins and wouldn’t sign off until February 15, 1492. Charles died in 1498 after hitting his head on a doorway and a clause in their marriage contract stipulated that if Charles died she must marry his successor. Louis XI was already married and an annulment would need to be reached. By November 7, 1499 Louis XI and Anne were married and two surviving children followed. 

Statue by Jean Debay

Commissioned in 1844, finished in 1846

Marguerite de Provence

Spring 1221 - 20 December 1295

Oldest daughter of Ramon Berenguer IV, count of Provence and Beatrice de Savoie, her three sisters would become the queens of Sicily, England and Germany. In 1233 Blanche de Castile sent a knight to Provence to see this young girl whose beauty and devotion to the church was well known. At thirteen on May 27 1234 Marguerite and Louis IX at the Cathedral de Sens. Marguerite and Louis were very close spending all their time reading and riding horses which made Blanche very jealous. Traveling to Egypt with Louis in 1249 when he was captured she was able to gather enough money to have him released at the same time as giving birth. In 1270, Louis IX ded on crusade in Tunis leaving her son Philipe III with the throne. Marguerite died on December 20, 1295 at 74 years old and was buried near her husband at the Basilique Saint Denis. Her grave had only a small marking and without a statue allowing her to be the only tomb to escape the desecration during the Revolution. 

Statue by Honoré Jean Aristide Husson

Commissioned in 1843, finished in 1847

Sainte Clotilde

473 - 545

Daughter of Burgundian king Chiperic II who would send her at just eleven years old around France as his ambassador. Clovis, king of the Franks heard about her and asked for her hand. As a very devout Catholic she tried endlessly to convert Clovis but he resisted until the Battle of Tolbiac. Praying to the “God of Clotilde” he promised if they were victorious he would become Catholic. On Christmas day in Notre Dame de Reims among 500 of his soldiers he was baptized. Clotilde was very close with Geneviève and she and Clovis had an abbey built at the top of Mons Luctitus.After the death of Clovis in 511, Clotilde spent her remaining years writing about the life of Geneviève, and it is due to Clotilde that we know the story of the Patron Saint of Paris. 

Statue by Jean Baptiste Jules Klagmann

Commissioned in 1845, finished in 1847

Episode 71 - Ladies of the Luxembourg Eastern Side

Louis-Philippe commissioned twenty statues illustrious women in French history to fill the Jardin du Luxembourg. Involved in picking each and every lady as well as the artists they would come to life between 1845 and 1851.

Jeanne d’Arc was originally one of the twenty, bien sûr, but was removed and placed in the Musée du Louvre in 1872. The statue by Francois Rude was deteriorating rapidly in the Paris weather but today can be seen in the Louvre’s Cour Puget. 

Starting on the eastern side near the Palais du Luxembourg:

Saint Bathilde 

626/627 - 30 January 680

Wife of Clovis II, King of Burgundy & Neustria. As a young girl she was sold into slavery by Danish raiders that kidnapped her in Saxon and sold her to Erchinoald, Mayor of the Palace of Neustria. Bathilde married Clovis in 650 and they had three children before he died in 657. As Regent for her son Clotaire she abolished childhood slavery and changed the tax code that led to it. 

Statue by Louis Victor Thérasse, student of James Pradier. 

Commissioned in 1845, finished in 1848

Reine Berthe 

720 - 783

Betrothed to Pepin the Short, future King of the Franks. On the way to court to meet Pepin, her dastardly cousin Tybers thought his own daughter resembled the beautiful Berthe and hatched a plan. On the way, he tied Berthe up and was planning on killing her until a kind hearted soldier overheard and let Berthe escape. Tybers arrived at court with his daughter Aliste posing as Berthe and the charade would last a few years until Berthe’s mother Blanche-Fleur de Prum arrived. Berthe had one distinct physical feature that could not be faked, she had a club foot. The scam was finally uncovered and Berthe was found in the forest of Le Mans by Pepin who was out hunting. The two would marry in 734/735 and on April 2, 748 she gave birth the Charles, later known as Charlamagne 

Statue by Eugène André Oudine 

Commissioned in 1846, finished in 1848

Reine Mathilde

1031- 2 November 1083

Daughter of Count Baldwin V of Flander & Adele de France. A marriage to her third cousin William, son of Robert I, Duke of Normandy was decided but she wasn’t too excited about the idea as he was a bastard and not a true blood royal. When he heard he rode his horse from Normandy to Bruges finding her in a church and dragging her into the street. The two were married in 1051 and he was named the king of England in 1066, but she preferred to stay in Normandy until 1068 when she would be crowned queen of England.

Statue by Marie Carle Vital Elshoecht

Commissioned in 1846, finished in 1848

Sainte Geneviève

423 - 512

The Patron Saint of Paris who at just seven years old devoted her life to God and was blessed by Saint Germain of Auxerre. When Atilla the Hun was headed to destroy Paris, she gathered everyone at the banks of the Seine to pray. Atila and his men changed course and headed to Orleans. In 464 she saved hungry Parisians by navigating the blockades on the Seine to gather grain in Brie et Troyes to feed the citizens. Upon her death on January 3, 512 she was buried alongside King Clovis in the abbey Sainte Geneviève built for her. Another one of our ladies, Sainte Clotilde wrote the story of her life and her path to sainthood. 

Statute by Michel-Louis Victor Mercier, student of James Pradier 

Commissioned in 1843, finished in 1845

Mary Stuart, Queen of Scots 

8 December 1542 - 8 February 1587

At just six days old she was named queen of Scotland when her father James V died. Her mother served as regent and at five years old she was sent to France and betrothed to Francis II, son of Henri II and Catherine de Medicis. Raised together they were very close and would be married at Notre Dame de Paris in 1558. The wedded bliss would be short-lived when Francis II died just two years later in 1560. Mary returned to Scotland shortly after and began the long feud with her cousin, Elizabeth I of England. Elizabeth would later have her imprisoned and killed by beheading, even though the two would never meet face to face 

Statue by Jacques Feuchères

Commissioned in 1843, finished in 1846

Jeanne d’Albret

16 November 1528 - 9 June 1572

Her father, Henri II of Navarre choices of spouses wasn’t to the liking of her uncle King Francois I so he decided to bring her to court. At just twelve years old she was married off to Guillaume, duke of Cleves but was less than thrilled about it. She had to be pushed and carried down the aisle. Four years later she was able to convince Pope Paul III to have the wedding annulled. After her uncle died in 1548 she was able to marry again to Antoine de Bourbon, who would be king of Navarre following her fathers death in 1555. In 1553, she gave birth to Henri III, future king of Navarre who would become Henri IV, king of France. As the Valois line was ending an agreement between Jeanne and Catherine de Medici was reached uniting her daughter Marguerite to Henri III with the stipulation that Jeanne not convert her daughter to Protestantism. Jeanne wouldn’t live to see the wedding as she died from the suspected poisoning at the hands of Catherine 

Statue by Jean Louis Brian
Commissioned in 1843, finished in 1848 

Clémence Isaure

The one statue that is based on a myth more so than a real person. In the 14th century the seven occitan poets of Toulouse held a gathering each year on May 1 to celebrate poetry. The Academy of the Floral Games as it would be known handed out silver and gold flowers each will to the top winners. In the 16th century poet Pierre de Saint-Anian wrote The ballad of the epitaph of the Lady Clémence Isaur, that added to the myth. Pierre wrote that she was the one that created the floral games and the rest is history. 

Statue by Auguste Préault

Commissioned in 1844, finished in 1848

Anne Louise de Montpensier 

29 May 1627 - 5 April 1693

The granddaughter of Henri IV was born to Gaston Duc d’Orleans, younger brother of Louis XII and Marie de Bourbon. Marie died days after her birth and as the end of the line of the Montpensier Bourbons a vast fortune was bestowed on Anne. The Grande Mademoiselle as she was known was the princess every man in Europe wanted to marry. As a teenager her father sent her to Orleans as his representative and rarely held her opinions inside. Eventually Louis XII grew tired of them and had her sent to the Chateau de Saint Fargeau for three years. Many suitors were proposed but she refused until she fell for Antoine de Caumont. A speedy wedding was planned before the union could be discovered but it would never happen. Caumont was only after her money and the wedding ended just in time. Anne would never marry or have any children and would die in the Palais du Luxembourg that she had inherited through her grandmother Marie de Medicis. 

Statue by Camille Demesmay

Commissioned in 1846, finished in 1848

Louise de Savoie

11 September 1476- 22 September 1531

Daughter of Philipp II Duc de Savoie and Margaret de Bourbon who died when she was just seven years old. At eleven she married Charles d’Orleans who was 32 at the time but luckily wasn’t forced to live with him until she was fifteen. They had two legitimate children Marguerite in 1492 and Francois in 1494, he had many more children with his many mistresses. Louise loved everything of the Italian Renaissance and raised her children with an appreciation which would transform the court of France. Her husband died in 1496 and Louise took her children to live at the Hotel des Tournelles with Charles' cousin Louis XII. Without a male heir, he had his daughter Claude de France marry Francois and name him as his successor. On January 1, 1515 Francois I became the king of France at 15 years old. Extremely close, she stood by his side and served as regent when he was outside of France and helped negotiate the end of the 7th Italian war. When she died in 1531, Francois I held a funeral fit for a king in Notre Dame de Paris. 

Statue by Jean Baptiste Auguste Clésinger

Commissioned in 1846, finished in 1851

Marguerite d’Anjou 

23 March 1430 - 25 August 1482

Daughter of René, king of Naples was married by proxy on May 24, 1444 to Henry IV of England. She hoped she could help repair the rift between England and France with the marriage and for a short while it worked. Thousands of people lined the streets as she traveled down the street to be crowned in Westminster Abbey, but the love was short lived. Her husband Henry IV suffered bouts of insanity that could last up to a year and during the lowest points she would serve in his place. On October 13, 1453 she gave birth to Edward of Westminster, Prince of Wales that forced the Duke of York out of the running for the throne. Marguerite took her husband and son to Scotland and rallied the troops of Scotland and France to support her. Upon their return to England, Henry was captured and tossed into the Tower of London where he would die and the young prince was captured and killed. After Marguerite was also imprisoned a deal with Louis XI of France was reached returning her to France but without a title and any land or money. 

Statue by Ferdinand Taluet

Commissioned in 1874, finished in 1877

Episode 68 - The Ladies of Monet

This week's new episode of Paris History Avec a Hemingway is all about the ladies of Claude Monet. He of course captured them on his epic canvases but it is a much more dramatic story than that. 

Camille Doncleux arrived in Paris from Lyon and quickly became the sought after model of the Impressionists. She met Claude Monet in 1865 at 18 years old and it quickly led to a relationship between the two. In 1866 he painted her in The Woman in a Green Dress and exhibited it at the Salon of 1866, but with the simple title of just Camille. It was met with rave reviews winning a silver medal and bought for 800 francs by Arsène Houssaye. By the next year they were living together and pregnant with their first son Jean which caused quite a stir among the Paris gossips.

So enamored with Camille, Claude would use her for the model of every woman in Les Femmes au Jardin et Le Déjeuner. Look closely at each of the women, they are all Camille. She would also sit for Renoir and Manet, Manet even painted the couple and family a few times. I love the painting Manet did of Claude and Camille sitting in his floating studio while she looks on as he works.  In 1870 the two would finally marry and in 1878 they would have their second son Michel. Michel’s birth was difficult and would in a few years take its toll. Cancer of the uterus had spread to her digestive system and urinary tract and she was barely able to walk around Monet’s beloved pond. 

In 1876, Claude Monet met Ernest Hoschedé and his wife Alice. Hoschedé came from a wealthy family that was happy to spend money on art and anything else he thought would keep him in the elite standing of Paris. Ernest invited different artists to his lavish home to add to the decor and when the always cash strapped Monet heard this he offered his services. Leaving Camille in their small apartment he moved into the Hoschedé’s where he painted canvases as well as the walls of their dining room. While Ernest was back in Paris, Claude and Alice struck up a flirtation as well as an affair.

Ernest’s spending got out of control and his family refused to pay his bills. Creditors and the bank came after his home and everything in it. Alice, now pregnant with her fifth child that may have been Claude’s left, moved into the small home with Claude, Camille and their two sons. Thirteen people in a two bedroom home was tight, not to mention having your wife and mistress within the same walls. 

As Camille got sicker each day, Alice Hoschedé helped take care of her, but in the summer of 1879 she deteriorated quickly. Camille Monet, the beloved wife of Claude Monet and inspiration for his many paintings died on September 5, 1879.

As Monet watched his beloved wife slip away he said “I caught myself watching her tragic temples almost mechanically searching for the sequence of changing shades which death was imposing upon her rigid face. Blue, yellow, grey. My reflexes compelled me to unconsciously act in spite of myself”, he picked up a canvas and painted her.  Today the painting is the Musee d’Orsay and stayed with Monet his entire life. 

As Camille was lowered into the ground, Alice cried out “destroy everything”. Every photo, letter and reminder of Camille was burned and destroyed. Aiice was no longer going to take second place as she watched Claude battle with his extreme grief. Her own husband Ernest died on March 18, 1891 and on July 16, 1892 Claude and Alice married.

Her daughter Blanche married Jean Monet in 1897 and after 35 years together in 1911, Alice died in Giverny. Blanche would stay and care for her step/father in law until he died on December 5. 1926. 

Alice was also captured in his art, but it’s the haunting and beautiful painting of Camille on her deathbed that will stay with you forever and luckily Alice didn’t have it destroyed.

Episode 67 - Chateau de Versailles

The Chateau Versailles, just the name evokes glamour, golden splendor and the regal days of France. We cover it all today on the newest episode of Paris History Avec a Hemingway.

Versailles began in 1604 when Louis XIII would come out to the woods to hunt and decided to build a hunting lodge. In 1623 a small lodge next to a windmill that sat on top of a low hill was the humble beginning that is hard to imagine today. Louis XIII would gather his hunting friends and head out to the lodge. His wife Anne d’Autriche had her own suite of rooms but she wasn’t allowed to stay the night. There is a lot more to the “boys weekend” at the Louis XIII Versailles and I’ll let you fill in the blanks.

His son Louis XIV first visited as a child and after his father died on May 14, 1643 Versailles was far from his mind. On the night of August 17, 1661 his superintendent of finance, Nicolas Fouquet held a lavish party at his finished chateau, Vaux-le-Vicomte. Inviting the boss over and his 6,000 friends entertained by Moliere and Fontaine and overcome by the beauty of the property and the chateau. A few days later, the Sun King had Fouquet arrested and then stole his artists. Architect Louis Le Vau, garden designer Andre Le Nôtre and designer and artists Charles Le Brun. In June of 1662, they would begin the construction on Versailles.
For the rest of his life he would continue to add on to Versailles to create one of the most splendid chateaux in Europe. Upon his death on September 1, 1715 it was still incomplete and Louis XV wasn’t as in love with living outside of Paris as his great-grandfather was. He moved the government back to Paris and Vincennes and left Versailles falling into disrepair until his return.

The days of Marie Antoinette and Louis XVI are well known for frolicking in the meadow of the Hamlet and their last day of golden carefree luxury.

Today the Chateau de Versailles is one of the most popular attractions in France that was largely saved by John D Rockefeller who gave a vast fortune in thanks to France for standing by the USA through the American Revolution. Open Tuesday - Sunday it can be reached in 30 minutes from Paris and allow an entire day to wander through the gardens and chateau. On the weekends in the summer make sure you visit to enjoy the musician fountain show and maybe even rent a row boat along the canal.

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Episode 66 - Madame Elisabeth de France

In our final episode about the ladies of Marie Antoinette there wasn’t anyone closer in those final months than her sister in law Madame Elisabeth. 

The youngest child of Louis and Marie-Joseph, her older brothers would become king over the next 70 years. Born on May 3, 1764 a year later her father died and she spent most of her time in the shadow of the older brothers living a carefree life at court.  When she came of age, Louis XVI wanted to marry her off but she begged him not to so she can remain with her family. Which is exactly what she did until the end of her life. 

Pledging a life to God she was off the marriage market and at 19 her brother purchased a chateau in Montreuil as her own private estate. She wasn’t allowed to spend the night there until she was 25 so she visited each day riding a horse back and forth each night. The day she came of age on May 3, 1789 she stayed what would be only a few months at her beloved chateau.

On the night of October 5, 1789 she and the family were forced to leave it all behind for Paris. Ever the loyal sister she went with them all the way to the Temple prison in 1793. In a small cell once the family was pulled apart Elisabeth remained with Marie hidden away from the world.

As her brother was taken to the guillotine on January 21, 1793 her sister in law followed as she was pulled away and taken to the Conciergerie. At first the Convention was going to exile Elisabeth but after the “trial” of Marie Antoinette and the false accusations against her the “sister of the tyrant” was going to end with the same fate. 

In the final hours of her life, Marie Antoinette wrote a letter to Madame Elisabeth that would never reach her, intercepted by Robspierre. Today you can see that letter engraved in marble in the former cell of the queen at the Conciergerie.

Months later and unaware that MA had been killed she had her own date with the guillotine. Just prior to being carted through the city she learned that MA had also been killed. On May 10, 1794 she sat next to the blade and had to watch all 24 people die before it was her turn. Each person walked by kissing her hand before they died. She spent every day of her life giving others comfort. 

Listen to her full story today on Paris History Avec a Hemingway, link in bio

Episode 65 - Madame Campan

Madame Campan was one of the only women to work for Marie Antoinette, survive the Revolution, work for Napoleon and end with another Bourbon king when most didn’t survive past Marie Antoinette. Jeanne-Louise Henriette Campa was born October 2, 1752 in Paris. Her father was a foreign affairs clerk sent to London to work on the 1763 peace treaty and took a large role in her education. Teaching her italian and english she also became well versed in the piano, guitar and harp.

At 16 years old she became the reader to the daughters of Louis XV and two years later the lady in waiting to the young and shy Marie Antoinette. The two became very close as they were so near in age. The day after Louis XV died and Marie was named queen Jeanne-Louise married Pierre Francois Berthollet. The marriage resulted in a son, Henri but that was about it. The two separated but never divorced and she spent all her time at Versailles. 

On October 6, 1789 as the royal family left Versailles behind, Campan was by their side and remained until June 20, 1791 when they tried to escape. After leaving court she created a boarding school in Saint Germain en Laye for the daughters of the French elite. Attendees included the sisters and nieces of Napoleon and the daughter of Josephine. Napoleon was very impressed by Madame Campan and in his wish to bring back to etiquette of the court of Versailles he tapped Campan as his Madame Etiquette. 

Josephine did not enjoy her input that forced her to sit and watch Napoleon eat and how she must carry herself at events. After Bonaparte was ousted and Louis XVIII arrived Campan was asked again to court. Madame Royale, the daughter and only surviving member of the family of Marie Antoinette who remembered her as a child asked how she was able to survive and lived so well during the Napoleon years. It ended her run at the palace once and for all. 

Madame Campan had surgery while suffering from cancer in February 1822 and died a month later at 69 years old on March 16, 1822.  Few people survived to tell the tale of three reigns of French power and do it so elegantly. 

Listen to the full story today on La Vie Creative - Paris History Avec a Hemingway

Episode 64 - Gabrielle de Polignac

In this week's episode of Paris History Avec a Hemingway we continue on with another lady of Marie Antoinette. Gabrielle de Polignac was a constant source of gossip from Versaille to Paris. The fun loving Polignac was born September 8, 1749 in Paris into the French noble family of the Nouilles. Married in 1767 to Jules de Polignac, captain of the Royal regiment and a member of the court at Versailles. 

Through her sister-in-law and lady of honor to Madame Elisabeth she was invited frequently to court. Gabrielle was very beautiful and was easily noticed and even caught the eye of Marie Antoinette. The queen walked up to her and asked who she was and why she hadn’t seen her before to which Polignac replied, “we don’t have the money to live the court life”. Marie liked her honesty and invited her back the next day. 

Polignac was free spirited and loved the trappings of life at Versailles at a time when the queen was tired of the formality. Gabrielle encouraged her to spend more time at the Petit Trianon enjoying the casual lazy days. A welcome change from the etiquette and watchful eyes but that came with a lot of problems. 

Rumors began to spread about Polignac and the queen. Marie Antoinette was already hated by the people and Polignac became public enemy number one. They thought her influence over the queen and her excess was a direct drain on the treasury of France.There was also the rumor that they were lovers which just rallied them all up even more. 

When the Bastille was attacked, Polignac and her husband were forced to flee with just the clothes on their back,  bread and wine; they arrived in Switzerland in three days. She stayed in touch with the queen once she was arrested and held in the Temple prison. 

On January 21, 1793 the king was killed and when the news finally reached her she could barely handle it. Falling ill to tuberculosis, her son tried to keep the news of the queen's death a secret. They were able to shield her until the end of November, a week later on December 5, 1793, the queen of the parties, Gabrielle Polignac died in Switzerland. 

Listen to her full story  today on La Vie Creative Paris History Avec a Hemingway. Link in bio

Episode 63 - Madame de Lamballe

One of the most faithful and trusted ladies of Marie Antoinette served by her side until the bitter end. Madame de Lamballe was born in Turin and raised under the iron thumb of her father Prince Louis Victor of Savoy. The duke of Penthievre was keen to marry his son Louis-Alexandre, Prince of Lamballe and descendant of Louis XIV and Madame de Montespan.

Their short & rough marriage lasted from January 1767 to May 1768 when he died as a result of his free loving ways. After her husband's death and close with her father in law who would take her to Versailles when a chance meeting drew the young Austrian to her. The two become quick friends in the intimidating world of Versailles. As soon as Marie became queen she named Lamballe as the superintendent of the house, the highest position in the queens domain and even more she was the trusted friend and advisor. 

Lambale took her job very seriously and as the stress and formality of court pushed in Marie wanted more of the relaxed life of the Petit Trianon. Lamballe was pushed aside for a bit but on October 5, 1789 when the angry group of women called for the queen's head Lamballe was by her side. Three years later she was still there as the Swiss guards were killed at the Palais des Tuileries and the screams filled the halls calling for their death. 

A few days later on August 19 she was pulled from the arms of the queen and taken to La Petit Force prison where on September 3. 1792 after a “trial” where she refused to denounce the king and queen she was quickly taken to the courtyard where a crowd of angry people awaited her. What happened next was horrific. The rage of the people were taken out on her for hours and her body and head were dragged to the window of the Temple prison where they screamed for Marie Antoinette to look out and see her trusted friend one last time, 

Her loyal friend until her final breath never wavered her love and support at a time when very few still stood by the disgraced queen. 

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Episode 62 - Rose Bertin

Marie Antoinette is known for her style, love of fashion and jewelry and in the end what led to her demise. One woman is behind her look more than anyone else including those amazing hair styles. Rose Bertin had a knack for style that drew the attention of a very devoted following that went back to her early days. 

Born July 2, 1747 in Abbeville, she moved to Paris and started working at the Trait Galant boutique at just 16 years old. Owner Mademoiselle Pagalle dressed the ladies in the court of Louis XV, and the young assistant was much in demand. It was more about the adornings on the dress then the dress itself. Lace, feathers, jewels and ribbons creating a one of a kind dress that allowed the ladies to stand out at court. 

On May 11, 1774 the day after Louis XV died and Marie Antoinette became queen of France, Rose was introduced to the young queen by her customer, the Duchess of Chartres. In no time at all, Rose was meeting with the queen twice a week to talk about what she wanted and even designing the very tall hair styles. 

Rose refused to follow trends, instead she actually set them. When Marie wanted a casual dress to wear at the Trianon and the Hamlet, Rose designed a loose white muslin dress that Vigee Le Brun captured on the canvas. While it shocked many that the queen was depicted in such a casual way it became the must-have look in Paris. 

Working with the queen until her final moments she created the simple dress she wore to the guillotine and then promptly left France. As the very public image of the queen’s excess, her destiny would end much like her famed client if she hadn’t. Spending those years in Belgium and London before returning to Paris in 1795.

In 1770 she opened La Grand Mogol, eventually moving it to 26 Rue de Richelieu where it remained until she returned to Paris.  In the early 1800’s she finally closed it after her customers weren’t returning to her like they had before. On September 21, 1813 she died in Epinay-sur-Seine at 66 years old. 

Rose was the first celebrity fashion designer, created the first fashion magazine thanks to the urging of the Queen and created the mystique of Marie Antoinette that remains today. 

Episode 61 - Marie Louise Ja Ja

One of the newest sensations in Paris this summer has been the very long awaited reopening of Samaritaine. It started as a tiny store on the corner of Rue du Pont Neuf by a couple that spent their entire life in retail. 

Marie Louise Ja Ja, born on July 1, 1838 came from a large family and was forced to start working at a very early age to help support the family. In 1853 she moved to Paris with her aunt and got a job at La Nouveau Heloise selling lingerie. It was at her next job working at the candy counter of the Bon Marche that she met Ernest Cognaq. 

The two married on January 17, 1872 and opened their own store just off the Pont Neuf. It was located just steps away from the pump house that stood on stilts in the Seine next to the bridge. Built under Henri IV to provide water to the district around the Louvre, the building was topped with a sculpture by Bernard & René Fremin. It depicted Jesus in front of the well of Jacob with a woman known as La Samaritaine. It would stand through the 17th C until Louis XVI had it decommissioned and eventually torn down in 1813. As a young man Ernest set up a small stall under a red umbrella on the bridge selling items. So the name was close to his heart. 

Marie and Ernest’s store became so popular that they quickly expanded, eventually taking over the entire block all the way to Rue de Rivoli. It was the height of the Parisian department store and to stand out they created practices that are still used today. Letting customers try on clothes, credit accounts, allowing returns, catalog and mail orders. Closer to Marie’s heart was the nursery and hospital for employees and a fund to assist them and to cover medical expenses.

Marie died in 1925 and Ernest shortly after in 1928. Their beloved store passed through the hands of family until the 1970’s when the days of the large department store shopping waned. In 2001 LVMH bought it and 20 years later it has reopened beautifully. 

The couple created a vast art collection that you can visit today in Paris at the Musée Cognacq Jay, including one of the largest collections of British art in Paris.  After Ernest's death in 1928, he left their home and collection to the city of Paris. Originally a museum was opened in their home on January 4, 1929 and remained for over 60 years. When the house fell into disrepair and agreements with the heirs of Cognac couldn’t be reached, the city decided to move it to the Hotel Donon in June 1988. 

The Hotel Donon was once owned by Maderic Donon who built it on land that was subdivided from the Saint-Catherine des Ecoliers in 1545. In 1974 the city of Paris purchased the property and on December 18, 1990 it was reopened as the Musée Cognac-Jay at 9 Rue Payenne. The museum is free and features decor by Christina Lacroux and much of the personal items and the collection of Marie & Ernest. It is a small museum that one should see at least once. The collection includes sculptures by Houdon & Clodin and art by Vigee le Brun, François Boucher, Maurice Quentin de la Tour, Watteau and Rembrandt. 

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Episode 60 - The Ladies of Manet

Manet, like most painters, had many models they worked with. Manet found women that not only sat for him but also inspired him. Berthe Morisot was a young art student that had the looks of the dark haired Spanish beauties he was obsessed with. Morisot became an accomplished artist herself and married Manet’s brother, creating a devoted family of artists. 

Victorine Meuret sat for him in his most scandalous and famous paintings. Naked and looking at the viewer pulling them into the world of a courtesan and a picnic by a river. In one of his very last paintings, he depicted the real life waitress at a popular Paris music hall. 

The paintings of these three ladies are linked to Manet’s history and live on for generations hanging on the walls of the museums of Paris. In this week's podcast we explore these beloved images and the women behind them. 

In 1862 Edouard Manet walked into Thomas Couture’s studio and met a young girl. Couture would teach Manet & Henri Fantin-Latour and feature many young models. On this one day, Victorine-Louis Meurent was in Couture’s studio when Manet arrived. She was just 16, with red hair and nicknamed La Crevette and would go on to become the muse for some of the biggest artest at that time. He would paint her for the first time in The Street Singer, with her piercing eyes that we would come to know so well in two of his most famous and controversial paintings. 

Victorine Meuret, was called many names including La Crevette for her red hair. Her hair is the last thing you notice in the two paintings she is so widely known for, Olympia and Dejeuner sur l’herbe. When these two paintings appeared at the Salons of 1863 & 1865 he shocked Paris. The naked woman in a contemporary setting caused a backlash that followed him for years, yet today there are just a few of his beloved pieces and always garner a crowd in the Musée d’Orsay. 

Dejeuner sur l’herbe 1863

1863 Salon 2783 of the 5000 submitted were rejected 

Inspired by Raphael’s Judgment of Paris painted in 1518 and hanging in the Louvre. As a certified painter in the Louvre he would often visit and one day said “It seems that I shall paint a nude. Very well I shall paint one”, adding “people like those you see down there”. Manet knew what he was going to do was risky “the public will rip me to shreds, but they can say what they like”. 

Le Bain as it was originally called included Victorine Meuret and his family. In the Judgment of Paris, Raphael on the right depicts Neptune holding his trident. Manet used the same pose for Ferdinand, the brother of his over Susanne Lehoff replacing the trident with a cane. It is also the same pose as Adam from Michelangelo’s Creation. Dressing the men in modern day Second Empire clothing. 

Today it is widely accepted to be Victorine but it is more likely that he used his lover Suzanne Leenhoff. However at the end he would use the face of Victorine to conceal the woman he was in a secret relationship with. It was his way of going after his father who is believed to have also had an affair with Suzanne. Keeping it all in the family.  Victorine, the water nymph looks straight at you like in Raphael’s. 

In the foreground is a basket spilled out with figs of September and cherries of June laying on her discarded dress. Behind her to the left is either Eugene or Gustave, both sat for him for the painting and in the river behind it is believed to be Victorine as well. 

When Manet painted this monumental piece in 1862, much like his painting Olympia, this one also was met with much controversy. Rejected from the Salon and displayed at the Salon des Refusés with his other Impressionist friends in 1863, the subject of a nude woman sitting between two fully clothed men was a scandal for the time. Although, Émile Zola proclaimed it “the greatest work of Édouard Manet

She would sit for him a last time in 1873  for The Railway before they parted ways. She would sit for Toulouse-Lautrec and Degas while she chased her own painting dreams. Sadly only two of her paintings remain at the museum in Colombes. Other than Berthe Morisot, Victorine is a beautiful face we know so well from the brush of Manet and I never miss a chance to stand in front of her and admire such a stunning piece of art and a more amazing woman.

Manet kept it until 1878 and sold it to singer Faure for 2600 francs. In 1898 Durand-Ruel bought it and shortly after sold it to Moreau-Nelaton who loaned it to the Universal Exhibition in 1900. Moreau-Nelaton donated his collection to the Louvre and hung in the Pavillon Marsan of the MAD and now Dej is in the Orsay

Olympia 

One of the most recognized paintings of Manet, is surely Olympia, the painting that caused quite a stir at the 1865 Salon. The naked woman was a usual subject in art as far as we can go back to cave drawings but it was the look on Olympia’s face, the pose of her body and the implied job that she has that made a few turn their heads in disgust. Manet painted Le Déjeuner sur l’herbe the same year as Olympia and used the same model for both, Victorine Meurent . Victorine as Olympia is laying on a bed of crisp white sheets and oriental shawl beneath her, with a beautiful heeled slipper on, one discarded and laying on the bed. The flower behind her ear, the gold bracelet on her arm and the black ribbon and jewel hanging around her neck all give the impression of a seductive and wealthy Parisian courtesan. 

For Olympia, Manet gave every aspect of the painting the same importance. 

The cat, a symbol of prostitution, the gaze on her face that seems to say “next” and the bouquet flowers that are just as vibrant as the oriental shawl beneath her naked body.  For over one hundred years, it has always been known simply as Olympia, with no name given of her maid that is presenting her with flowers from what we assume is a client. The exhibition finally gave her a name, Laure. Laure posed for Manet three times after meeting him while walking through the Jardin des Tuileries. 

Her name is only known today from a diary Manet kept, and only her first name and her address in Paris. “Laure, a very beautiful black woman, 11 rue Vintimille 3rd floor” written around 1862. 

Given the name Olympia, a name associated with prostitutes and the many small elements that hint at her wealth, many of which transferred over to the model herself. Victorine was nothing close to the woman in the painting, Born to a well established artistic family she would become an artist herself and present her work at the Salon in 1870.

However it was Manet that painted her and gave her the “invisibility”, but with Laure we get a better impression of what the entire painting is trying to tell us. With the addition of Laure, Olympia now has high social standing as a courtesan. Laure presents the flowers of her gentleman caller, giving a slight bow as she enters the room. 

Olympia would stay in the procession of Manet hanging in his studio until his death. Claude Monet would purchase it from his widow, Suzanne and give it to the Musée du Louvre. An image many know so well, went from the hand of one master to another and then lucky for us, on view to share with the world. It’s breathtaking to see up close and no wonder it has been copied many times by other artists including Cézanne. Cézanne took a spin at Olympia with a behind the scenes glimpse before Manet took to the canvas. 

Manet kept the painting in his collection until his death, put up for sale the reserve was not met and Suzanne thought of selling it to an American. Monet got word of that and couldn’t let Manet’s masterpiece leave France. Gathering artists and collectors more than 19,415 francs was raised, just shy of her asking for 20k francs. She agreed to sell it to them and then Monet went to the Louvre to ask them to purchase it. The refused and it took many years before the Lux agreed to take it into their collection as it didn’t meet the ten years after the artist death rule for the Louvre. 

On January 6, 1907 it hung in the Louvre in the Salle des Etats next to Ingres’ Grand Odalisque. It would be moved to the Jeu de Paume that housed the Impressionist before the Orsay was eventually built, and hung in a place of prominence. Today in the Orsay she is in a darker room off the main alley 

Berthe Morisot met Manet in the Louvre where she was learning how to paint as a copyist and he was captivated by her and wanted to paint her immediately. Le Balcon painted in 1868 showcases Morisot sitting behind the iron railing holding a fan, but my favorite is her portrait. Berthe is shown in black mourning clothes with a very small bouquet of violets, painted in 1872. 

Berthe Morisot with violets 1872

Berthe Morisot, one of the few women of the Impressionist Movement, with her dark locks and stunning gaze, was the perfect model for Édouard Manet.  However, she would become an artist in her own right stepping behind the canvas to create paintings that showed everyday family life, forging her own path among  the male dominated Impressionists    

As a girl, Berthe and her sister Edma would visit the Louvre as art students and spend their day copying the great masters.  Artist Henri Fantin-Latour took his friend Édouard Manet one day to the Louvre to meet Morisot who was copying a Rubens painting. It would be the start of a very long friendship. Following Manet’s shocking  the Parisian Salon with Olympia and Déjeuner sur l’herbe he was looking for  a new model, and Berthe would have everything he wanted. In 1868, Manet painted The Balcony for which Berthe would pose after much apprehension. Being a model for an artist was not the profession for a woman of society in Paris at the time. Continuing to work with Manet for six years, he would capture her many times including his hauntingly beautiful painting, Berthe Morisot with a Bouquet of Violets that can be seen in the Orsay. Painted in 1872 Morisot is in black mourning attire after her father's death. You almost miss the violets as you are so drawn to her striking face. 

Morisot and Manet had a relationship built on great respect and love between two artists. In 1874, she would marry Édouard’s brother Eugène Manet, a marriage that would give her the time to focus on her art.  Painting the simple moments of a woman’s everyday life and those between a mother and child often outside under the trees or in an open field.  Her soft inviting images rivaled that of many of the men of the Impressionist movement. 

In the end of his life, suffering the effects of syphilis and an amputated leg, he painted one more masterpiece. Un Bar aux Folies-Bergère, look closely and see much more than what she is looking at. Behind her and to the side tells the story of the high point of the Belle Epoque. 

Listen to all the details and so much more about these three ladies and Manet in the newest episode of Paris History Avec a Hemingway.

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Episode 59 - Dora Maar

Dora Maar from the end of her life until today is widely labeled the “Muse of Picasso”. As with most women in history they are relegated to being a postscript in a man's story, Dora was much more than that. 

Born on November 22, 1907 Henriette Markovitch in Paris at the Tarnier Maternity Clinic at 89 Rue d’Assas. Her father Joseph was a Croatian architect and her mother Louise-Julie Voisin from Cognac and owned a fashion boutique. In 1910 she headed to Buenos Aires with her parents for her fathers job and returned to Paris a few years later. Enrolling in the Union Centrale des Arts Decoratifs and l’Academie Julian in 1923 and 1927 one of the few that allowed women artists. 

Photography was her art form and from early on her eye for details gor her into the exclusive clubs of artists. A meeting with Pierre Kéfer and Louis Chavance would lead her to Man Ray who she asked to work with. Man Ray hired her as a model instead and she was able to work closely with the Surrealist and learn many of his tricks.

In May 1931 she officially went by Dora Maar and photographed fashion houses for magazines and publications to pay the bills. Her more artistic work garnered her a place in the Exposition Intl in Brussels for her solo work and collaboration with Kéfer. 

In December 1935 on a cold night at Les Deux Magots sitting alone and stabbing a knife between her open fingers she caught the eye of Picasso. He was instantly taken with her and her bold personality. Dora was at the top of her game and the peak of her career, Picasso was in the depth of his. Unable to paint or be inspired but that all changed the night he met Dora. The two began a relationship that would last eleven years built on a trust between two artists that inspired each other. Picasso painted her many times including his series of the crying woman. 

In the final two years of their relationship, her mother died, her father left and she flung deep into depression and manic episodes. Picasso paid for her care and gave her a house in the south but she would spend the rest of her life in seclusion away from the world. 

Listen to her full story and so much more in the newest episode of Paris History Avec a Hemingway. 

Episode 58 - La Goulue

Louise Joesphine Weber is remembered more for her adoptive name La Goulue and how she got the name. Born on June 12, 1866 in Clichy the love of dancing was instilled in her at a very early age by her mother. By 1882 she had moved to Montreuil and started dancing at the Moulin de la Galette in Montmartre. 

Customer and journalist Charles Desteque noticed her and introduced her to a friend, Charles Zidler who would later play a prominent role in her life. In the meantime she continued to dance at the  many bal musettes in Paris including the Closerie des Lillas, Elysees-Montmartre and the Bullier Bal. 

Charles came back into her life in 1889 when he and Joseph Oller were opening a new stage in Montmartre, the Moulin Rouge and asked Louise to be their headline dancer. Of course she jumped at the chance and in no time she was the hit of the stage with her signature move. At the height of the can-can she would turn her back to the audience and lift her skirt revealing her many layers of ruffles later captured by Toulouse-Lautrec. 

A perfect duo was created when Louise partnered up with Jules Etienne Edme Renaudin, aks Valentine Montagné, who was also called “the boneless” for his fluid dance moves. The two performed together at the Moulin Rouge from 1890-1895. Toulouse-Lautrec was as much a part of the Moulin Rouge as the can-can and could be found nightly sketching during the show. In 1895 he created his first lithograph “Dance at the Moulin Rouge” with Louise as his subject. The poster made Louise and Toulouse-Lautrec famous overnight. More than 3000 posters filled the streets of Paris. TL would capture her in four paintings and many posters creating a lasting friendship. 

Louise is better known as La Goulue, the glutton in French and is due to her habit of walking through the crowd and guzzling down the drinks of patrons sitting in the crowd. La Goulue danced until 1895 when she left the stage and became a lion tamer, I can’t make this up. 

In her later years she could be found walking the streets of Montmartre with her lion on a leash and selling cigarettes outside the Moulin Rouge . 

There is so much more to her life, be sure to listen to the newest episode of Paris History Avec a Hemingway on La Vie Creative Podcast.

Episode 57 - Liane de Pougy

Liane de Pougy at the end of her life was labeled “from whore to nun” but I am getting ahead of myself.  

Anne Marie Chassaigne was born June 2, 1869 in La Flèche in the Loire and raised in Brittany. On July 15, 1886 at 17 she married Joseph Armand Henri Pourpee who was a naval officer living in Marseille. Ten months later on May 15, 1887 Marc Marie Edmond Armand arrived; however the marriage wasn’t ideal. Joseph would be gone a lot and Anne Marie filled her time with another man. 

Suffering from frequent attacks by her husband that left scars on her chest for the rest of her life, it all culminated one night when he discovered her with her lover. He pulled out his pistol and shot at her, nicking her wrist. Anne Marie couldn’t take it much more, sold her piano, left her son with his father and his parents and moved to Paris. 

In Paris she began taking dance lessons from Marie-Therese Mariquita and changed her name to Liane de Pougy. Dancing in the cabarets of Paris she was quickly noticed for her striking beauty standing out in any crowd she stood in. Playwright Henri Meilhac was drawn to her and got her a job dancing at the Folies Bergeres in 1884 and also taking the stage of the Olympia. 

Wanting to achieve more she took acting lessons from Sarah Bernhardt who told her that she didn’t have any talent and she should “open her mouth only to smile”. As many of the women who danced on stage she also became a courtesan. Her beauty made her one of the most popular courtesans in Paris of the 19th and early 20th century. Maurice de Rothschild was known to shower her in jewels and gifts. Another famous courtesan, Valtesse de la Bigne taught her the finer points of their chosen profession resulting in an affair between the two in the later years of Valtesse’s life. 

As a muse for artists and composers she began her own venture into the creative life by writing. L’Insusive, her first novel was the story of courtesan Josiane de Valneige. Followed by five more novels  including a comedy L’Enlizement. 

In 1908, she met the Romanian Prince Georges Ghika who was the nephew of Queen Nathalie of Serbia. Fifteen years younger than her and a prince by name but without much money to his name. The two married on June 8, 1910 at the Église Saint Philippe-de-Roule in the 8e. The next day it was on the front page of the New York Times. “Paris professional beauty marries Prink Ghika, who championed her”.  

The Prince came across her one day in Saint Germain while being laughed at by a group of people, Liane was wearing a rather large hat and people gathered around her pointing and laughing on the mean streets of St Germain. He stepped in to uphold her honor and got into a scuffle resulting in his arrest for assault. 

The marriage between the two was good until 1926 when he decided he would leave her for the young Marion Thiebaut who had also been the lover of Liane for a short time. She was allowed to cheat on him with other women, but never men. He left until he heard she was going to file for divorce and to avoid a scandal he returned to her but it was never the same again. 

In 1928 they went to Grenoble where she met Mother Superior Marie Xavier of the Sainte-Agnes Asylyn and institute for disabled children. She threw herself into raising money for the institute and tapping into her wealthy friends back in Paris to assist. Staying closely aligned with the church she later in 1943 took the vow of Saint Dominic and changed her name again to Sister Anne Marie de la Penitence. 

On April 19, 1945 Prince Ghika died and she moved to Lausanne Switzerland. Staying in the Carlton Hotel, she rarely left her room and on December 26, 1950 she died. Buried in the Saint Agnes chapel of the Saint Martin Le Vinoux cemetery. The woman that lived so many different lives always followed her own voice. 

From 1919 to 1941 she kept a detailed diary that was later published in 1977, twenty-seven years after her death as My Blue Notebook.